MusahSwallah

Portraits on wood, cork, canvas and paper.

Visual artist Born in Nima, Accra Works in Brooklyn, New York
Musah Swallah, photographed in Brooklyn
Photograph: Klaus Galiano

The surface is part of the story

Musah Swallah paints people as they actually live: their style, their hair, their ambitions, the pressure and the pleasure of the city around them.

He works on canvas and paper, on repurposed wooden boards cut to the shape of the figure, and on surfaces built from thousands of wine corks. The support is never hidden. A split in the grain, a knot or a rough edge stays in the picture and becomes part of how it is read.

Work

Five bodies of work

PoolAcrylic on canvas

Black bodies at rest in bright water. Leisure, ease and pleasure, painted at full saturation and without apology.

Pool series · acrylic on canvas
Pool series · acrylic on canvas
Pool series · acrylic on canvas
Pool series · acrylic on canvas
Pool series · acrylic on canvas

CanvasAcrylic on canvas

Barbershops, bedrooms and living rooms: the places where style is made and worn. Figures hold the viewer's eye and give nothing away.

Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas
Acrylic on canvas

WoodAcrylic on repurposed wood

Boards saved from the street are cut to the silhouette of the sitter. The grain, the knots and the sawn edge stay visible, and the pattern of a shirt or a headwrap runs straight into the pattern of the wood.

Half Currency
Acrylic on repurposed wood
Acrylic on repurposed wood
Acrylic on repurposed wood
Sakora Man
Acrylic on repurposed wood
Acrylic on repurposed wood
Acrylic on repurposed wood
Punk Hair
Acrylic on repurposed wood
Acrylic on repurposed wood
Acrylic on repurposed wood
Acrylic on repurposed wood
Acrylic on repurposed wood
Acrylic on repurposed wood

CorkWine corks and acrylic

Faces built from thousands of wine corks, each one a dot of tone. Up close, waste; at a distance, a likeness.

Wine corks and acrylic
Malcolm X
Wine corks and acrylic
Nelson Mandela
Wine corks and acrylic
Martin Luther King Jr.
Wine corks and acrylic

PaperAcrylic on paper

Heads against ochre, kraft and grey grounds, with the smallest signs of adornment: an earring, a collar, a line of hair. The quietest series, and the most direct.

Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper
Acrylic on paper

About

Ghanaian, b. 1986

Baba Musah Swallah was raised in Nima, a dense and largely Muslim neighborhood at the center of Accra, where families of different faiths and ethnic groups have lived together for generations. He studied visual arts at La Presec Senior High School from 2003 to 2006, and at the same time apprenticed with two artists from his own community, Mozzay and Akirash.

That apprenticeship shaped everything that followed. He learned painting the way it is still passed on in Accra, hand to hand, in working studios, and he has spent his career passing it on in turn.

For Swallah, a painting is a way to say something in public: to make people visible, to start a conversation and to change what a place believes about itself. He has painted murals, shown in Ghana, Côte d'Ivoire, Washington, DC, New York, Cleveland, Detroit and London, and completed residencies in Italy, Kenya and Côte d'Ivoire. His work has been featured on CNN and France 24.

He moved to the United States in 2017 and took part in the New York Foundation for the Arts Immigrant Artist Mentoring Program. He lives and works in Brooklyn.

The artist's hands, clasped
Photograph: Klaus Galiano
Born
1986, raised in Nima, Accra, Ghana
Based
Brooklyn, New York, since 2017
Training
La Presec Senior High School, visual arts, 2003 to 2006. Apprenticeship with Mozzay and Akirash
Media
Painting, mixed media, collage, murals, sculpture
Supports
Canvas, paper, repurposed wood, wine cork
Residencies
Italy, Kenya, Côte d'Ivoire. BronxArtSpace, New York (2020)
Collections
DC Commission on the Arts and Humanities. Private collections in the United States and West Africa

Nima Muhinmanchi Art Co-founder and Artistic Director, since 2011

In 2011 Musah and a group of artists from Nima founded Nima Muhinmanchi Art (NMA), a nonprofit that uses public art and education to change how the neighborhood is seen and how its public space is used.

As Artistic Director he has led free Saturday workshops in drawing and painting for young people whose talent had nowhere else to train, and murals that turned walls across Nima into shared property. Visitors to the neighborhood have noticed that the murals stay untouched by graffiti, which says something about who they belong to.

He has painted at Accra's Chale Wote Street Art Festival every year since 2011.

Teaching in the United States

Musah is a Visual Arts Teacher at Lenox Hill Neighborhood House in New York, where he joined the faculty in 2020 and has led classes since 2022. He has taught young people in New York, Washington, DC, and Maryland, and served as artist-in-residence at a school in Washington, DC.

Exhibitions

Selected

Solo and two-person

  • RecentBetween Worlds, pop-up exhibition. Ethan Cohen Gallery, New York
  • 2021Two-person exhibition with Francis Annan Affotey. Framed Gallery, Cleveland
  • 2020Residency exhibition. BronxArtSpace, New York
  • AccraMy Hood. Accra, Ghana

Public collection

  • 2020–21Sweet Dreams, Blue Jean, DC Cut. DC Commission on the Arts and Humanities

Group exhibitions, fairs and festivals

  • RecentN'Namdi Center for Contemporary Art. Detroit
  • 2021Amref Health Africa ArtBall, benefit auction. New York
  • 2018–20Art All Night. Washington, DC
  • New YorkCalabar Gallery, including its art fair presentation. New York
  • DCStimson Center and Vivid Gallery. Washington, DC
  • LondonAfro-Caribbean Design Festival. London
  • AccraArt Through Ages, NMA anniversary exhibition. Alliance Française d'Accra
  • 2011–Chale Wote Street Art Festival, muralist. Accra

Projects in Ghana with

  • AccraFoundation for Contemporary Art Ghana, Nubuke Foundation, Accra[dot]Alt, W.E.B. Du Bois Centre, Invisible Borders Trans-African Photographers

His work lands like weather, not spectacle.

Mann About Town, 2025

Studio inquiries

For available work, acquisitions, commissions, murals, studio visits in Brooklyn and teaching residencies.

Instagram @b.musah